Rebekka Deubner is in her own way a diarist. Her work falls within the continuity of this part of photography history, which claims an approach associating the banal, the micro-event, and self-writing. She takes photographs as close as possible to her own experience, groupings of images generally presented in a serial form, giving the feeling of a temporal and narrative continuum. This is an extract of her exhibition « les morves d’azur » at Progress Gallery in Paris.